References & Attribution
General Sources — Amsterdam History
The creation of the Amsterdam Spritual Compass was done with great care. As a resident of this city, I have drawn much of my inspiration from the stories of fellow Amsterdammers. The following books and Wikipedia were used for fact-checking:
Het Stadspaleis — Geert Mak
Atlas is terug: de reus op de Dam ademt weer | Gemeente Amsterdam
Amsterdam: A History of the World's Most Liberal City — Russell Shorto
De legende van Amsterdam (on the city's founding in 1095) — Richard Jeanson
En je zult spinazie eten (introduction to Spinoza's philosophy) — Jan Knol
Leylijnen en leycentra in de Lage Landen — Wigholt Vleer, with contributions from Dick van den Dool
Willem Arondeus; Willem Arondeus (22 augustus 1894- 1 juli 1943)
Je mag wel laf zijn maar niet bang - Toni Boumans
Spinoza references
All Spinoza references in this deck are drawn from the Ethica Ordine Geometrico Demonstrata (Ethics, Demonstrated in Geometrical Order), written between 1661 and 1675 and published posthumously in 1677. It is Spinoza's major philosophical work, structured like a geometry textbook: definitions, axioms, propositions, and scholia (explanatory notes) Full text in English (Project Gutenberg — free): https://www.gutenberg.org/ebooks/3800 & Stanford Encyclopedia of Philosophy — Spinoza: https://plato.stanford.edu/entries/spinoza/
The three kinds of knowledge
Source: Ethica, Part II, Proposition 40, Scholium 2
Spinoza distinguishes three kinds of knowledge: sensory perception and memory (imaginatio), reasoning through common notions and causes (ratio), and intuitive knowledge that grasps the whole directly (scientia intuitiva). The first is unreliable; the second is adequate; the third is the highest form of human understanding.
The three primary passions
Source: Ethica, Part III, Proposition 11, Scholium; Definitions of the Affects 1–3
All human emotions are derived from three basic passions: desire (cupiditas), joy (laetitia), and sadness (tristitia). Desire is the drive to persist and become; joy is the transition to greater power of existing; sadness is the transition to lesser power of existing.
Card 1 — The Law of Connectedness
Spinoza concept: Deus sive Natura — God, or Nature, Source: Ethica, Part I, Proposition 15; Part IV, Preface
The central idea of card 1 — that the divine lives in everything and nothing exists outside of God — is the foundation of Spinoza's philosophy. He argues that there is only one substance, which he calls God or Nature (Deus sive Natura), and that everything that exists is a mode of this one substance. "Quicquid est, in Deo est, et nihil sine Deo esse neque concipi potest. — Whatever is, is in God, and nothing can be or be conceived without God."English text: https://www.gutenberg.org/files/3800/3800-h/3800-h.htm#part1
Cards 21–30 — Spinoza's Emotions and Ways of Knowing
Card 21 — The Realm of Perception
Spinoza concept: imaginatio — the first way of knowing, Source: Ethica, Part II, Proposition 40, Scholium 2
Spinoza's first kind of knowledge: sensory impression, memory, and personal interpretation. It produces inadequate ideas — not false as such, but incomplete. The realm of imagination is where most human experience begins.
Card 22 — The Light of Reason
Spinoza concept: ratio — the second way of knowing, Source: Ethica, Part II, Proposition 40, Scholium 2; Part II, Proposition 38
The second kind of knowledge: reasoning through common notions and causal understanding. More reliable than imagination. Spinoza sees reason as the path from confusion to clarity — from passive emotion to active understanding.
Card 23 — Intuitive Knowing
Spinoza concept: scientia intuitiva — the third and highest way of knowing, Source: Ethica, Part II, Proposition 40, Scholium 2; Part V, Propositions 25–36
The highest form of knowledge: direct recognition of the whole. It leads to what Spinoza calls amor intellectualis dei — the intellectual love of God or Nature — and is the basis of human blessedness and freedom. "The highest virtue of the mind is to know God, or to understand things by the third kind of knowledge."
Card 24 — The Drive Within
Spinoza concept: cupiditas — desire, the essence of the human being, Source: Ethica, Part III, Proposition 9, Scholium; Definition of the Affects 1
Cupiditas is the most fundamental of all passions: the drive to exist, to persist, and to reach toward what calls us. Spinoza identifies it with the conatus — the striving of every being to preserve its own existence. "Desire is the very essence of man, insofar as it is conceived to be determined from any given state of its existence to do something."
Card 25 — The Expansion of Joy
Spinoza concept: laetitia — joy, expansion of inner power, Source: Ethica, Part III, Proposition 11, Scholium; Definition of the Affects 2
Laetitia is the transition of the mind and body to a greater state of power and perfection. Spinoza does not see joy as superficial — it is a genuine increase in the capacity to exist and act.
Card 26 — Make Room for Sadness
Spinoza concept: tristitia — sadness, contraction of inner power, Source: Ethica, Part III, Proposition 11, Scholium; Definition of the Affects 3
Tristitia is the transition to a lesser state of power. Spinoza treats it not as something to be denied but as information: it reveals where the life force has contracted, and what needs attention.
Card 27 — The Gift of Vulnerability
Spinoza concept: aegritudo — grief arising from love for what cannot be held, Source: Ethica, Part III, Definition of the Affects 18
Aegritudo (also called dolor) is a form of sadness specifically linked to love — the grief that comes from loving something that is lost, absent, or beyond reach. It is a derivative of tristitia, but coupled with amor (love).
Card 28 — When Love Stands Guard
Spinoza concept: conatus — the striving of every being to persist in its existence. Source: Ethica, Part III, Proposition 6; Part IV, Proposition 20
Conatus is Spinoza's term for the fundamental drive of every living being to preserve and express itself. It is not selfishness but ontological necessity — the very essence of what a thing is. Spinoza argues that self-preservation is not in conflict with reason; it is reason's first expression. Yet he also recognised that when protection becomes control, it diminishes the freedom of both protector and protected. "Each thing, as far as it can by its own power, strives to persevere in its being." — Ethica, Part III, Proposition 6
Card 29 — Come Back to Ground
Spinoza concept: acquiescentia in se ipso — inner stillness, self-contentment, Source: Ethica, Part IV, Proposition 52; Part III, Definition of the Affects 25
One of the few consistently positive emotions in Spinoza's system. It is the quiet that arises from honest self-knowledge and understanding one's place in the whole — not dependent on others' approval, but arising from reason itself.
Card 30 — Beyond Shame
Spinoza concept: humilitas — shame, the shrinking of the self under self-judgement, Source: Ethica, Part III, Definition of the Affects 26; Part IV, Propositions 53–54. Humilitas is sadness arising from the belief that one is inferior or unworthy. Spinoza regards both pride and shame as harmful, because both make a person dependent on others' opinions. True freedom begins with honest self-knowledge — neither inflated nor diminished.
Card 40 - Room for the unfinished
Perfection and Imperfection, Source: Ethica, Part IV, Preface
In the Preface to Part IV, Spinoza works through the concepts of perfection (perfectio) and imperfection (imperfectio), alongside good and evil. His central claim: these are not properties that things possess in themselves, but arise because we compare things to a general idea or model we have formed of them. Nothing is "by nature" imperfect for Spinoza; we only judge it so because it fails to match our own preconceived idea of what it should be. This same reference (alongside Part I, Proposition 15) underlies card 1's account of Deus sive Natura — God, or Nature, as the one substance in which nothing is judged against an external standard. "Each man called perfect that which he saw agree with the general idea he had formed of the thing in question, and called imperfect that which he saw agree less with his own preconceived type."
Visuals
Most of the visuals are edits of my own photographs, taken around the city over the years. Using Canva, I edited these photos to give them an Art Deco look.
Exceptions to this are the following images, which were either rights-free or used with permission:Anne Frank, 1942 | Passport photo Anne Frank, May 1942. (Pho… | Flickr (Photo collection Anne Frank House, Amsterdam. Public Domain Work)
Amandelbloesem - Vincent van Gogh, 1890 , Van Gogh Museum, Amsterdam Vincent van Gogh - Amandelbloesem - Van Gogh Museum
'Atlas Maior' van Blaeu - Bijzondere Collecties - Universiteit Utrecht
Begijnkapel; https://archief.amsterdam/beeldbank/detail/b5f1ed08-16c1-b6c3-e419-a1c3e4c1e398
Oudezijds Achterburgwal - Photo by George Hendrik Breitner,, November 1894 to December 1898 Beeldbank Stadsarchief
Portrait of a Woman | Rembrandt van Rijn, 1639 | Collectie https://id.rijksmuseum.nl/200107942
Girl in a White Kimono | George Hendrik Breitner, Collectie Rijksmuseum - https://id.rijksmuseum.nl/200108304
The Threatened Swan | Jan Asselijn, 1650, Collectie Rijksmuseum, https://id.rijksmuseum.nl/200108146
Op het terras | Nola Hatterman, 1930, Collectie Stedelijk Museum Amsterdam, Erven Hatterman https://www.stedelijk.nl/en/collection/2082-nola-hatterman-louis-richard-drenthe-op-het-terras
StreetArt by Frankey (Frank de Ruwe), Amsterdam, 2023 - https://frankey.com
Fall II | Bas Jan Ader, Amsterdam, 1970 - http://www.basjanader.com/works/fall2.php (courtesy Estate of Bas Jan Ader / Meliksetian | Briggs, Los Angeles; toestemming aangevraagd)
Cover magazine Wendingen (Schelpennummer, no. 8/9) | R.N. Roland Holst, 1923 - Wendingen, Issue 8/9, cover by R.N. Roland Holst, 1923
Lozenge Composition with Eight Lines and Red, 1938 Piet Mondriaan; https://rkd.nl/images/245269
Every effort has been made to trace and acknowledge copyright holders. If any omission has occurred, I apologize and will correct this in future editions.